Guest Post: Eric Dean

Guest Time! Say hello once again to Eric Dean. He was part of the weekend’s madness, and he was so wonderful in working with me on my A Bloody Valentine event that I wanted to show him some extra love. Here’s what he has to say about the craft of writing (and be sure to check out him out on the web at http://www.ericwrites.com):


The hardest thing about writing is writing, and unfortunately, the only way to do it is just to do it. I’ve spent most of what life I can actually remember wanting to be a writer. I spent a good deal of the latter half planning to be a writer. Only in the last couple years have I actually been writing, in the hopes of one day becoming a writer. So, once you tackle that aspect of the process, what the hell do you actually write about? As a kid, I wanted to be a fantasy and sci-fi writer, because that’s what I enjoyed reading. It turns out fate had other plans, as an experimental foray into writing horror led to recognition and appreciation, and a soul-deep need for recognition and appreciation led to writing more horror. Funny how that works.

So, once you’ve decided to write horror, what’s the process? What the point? What’s the goal? Haven’t we exhausted every possibility in the genre? Do we really need more Lovecraftian stories about giant, otherworldly beasts from time immemorial? Do we need more slasher-porn in written form with exhaustingly detailed descriptions of torture and dismemberment? How many unique spins can we put on the vampire or zombie story? Why am I asking so many questions? I guess because I’m still trying to find the answers, myself. What makes a horror story new, interesting and successful? The truth is, I don’t know. I’ve only been at this for a short time, and unlike most writers (I assume), I’m not much of a reader. I do read, but maybe only three or four books a year, and most of them aren’t horror (or even fiction, for that matter).

When I decide to write a horror story, it’s usually because a story I need to tell happens to be horror, not because I set out to write a zombie story, or a vampire story, or an evil, man-eating toilet story. I get a lot of ideas for stories, and some of them are horror. Because I’m “writing horror” now, I follow up on those ideas and set the others aside for the future. To me, horror isn’t just about being shocked or scared, but about being uncomfortable, confused, lost, and disoriented. What scares me aren’t monsters or gore, but loneliness and emptiness… suddenly looking around and realizing that you have no idea who you are, where you are, or how you got there. To me, the most horrifying thing I can imagine is waking up at 50 and realizing I was never a writer… that I never did what I had been wanting to do since I was a kid. I think my stories revolve around themes like that – not facing a monster so much as facing yourself, your past, and coming to terms with who you really are. It can be just as terrifying and painful as getting eviscerated by a werewolf. I mean, I’ve never been eviscerated by a werewolf, but I HAVE been in love, and there’s no way they’re that different.


THE STATE OF HORROR SERIES

Edited by Jerry E. Benns
From Charon Coin Press

Eric Dean is featured in State of Horror: Illinois.

State of Horror: Illinois State of Horror: New Jersey State of Horror: North Carolina
State of Horror: Illinois State of Horror: New Jersey State of Horror North Carolina
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A Bloody Valentine: Eric Dean

Oh, what a treat this is! One of the State of Horror authors must really like me, because he answered my questions AND gave me a short story to post, all for nothing! I feel so loved!

INTERVIEW WITH ERIC DEAN

It’s Valentine’s Day. What’s your take on the “Most Romantic Day of the Year”?

To me, Valentine’s day is 2/3 crap. If you’re single, it’s a painful reminder. If you’re in a long term relationship, it’s one more day you’re forced to spend money because society said so. If you’re in a new, exciting relationship, then yeah, it’s one more exciting excuse to get buzzed and make love, as if you NEED an excuse. For those people, in those circumstances, it’s great. For everyone else, it sucks.

What made you decide horror would be your genre of choice?

Fate. I originally wanted to be a fantasy and sci-fi writer, but it turns out I’m much better at horror.

From where do you pull your horror inspiration?

Usually, my dreams. I dream often and vividly, and I’ll usually take the most interesting kernels from my dreams (or nightmares) and expand them into stories.

What is one horror stereotype you absolutely despise? What is one you love? 

I absolutely hate the dark and mysterious tough guy who is always prepared and never afraid (a la Batman). I absolutely LOVE the opposite – the average Joe or Jane who may not be adequately equipped for the situation at hand, but through blind courage and dumb luck manages to pull through (Billy from Gremlins).

What scares you?

Three things: The idea that I’m less than think I am, and others are too polite to tell me, the idea that I might be crazy, and the thought of dying alone. Real talk.


THE BLACK MEAT

by Eric Dean
Posted with Permission of the Author

The first time I tried the black meat was also the last, though not for lack of interest. As a journalist, I’d written many articles about the product – the one you’re reading being, obviously, the most recent. It was cloudy and raining the day I received my hostess’ unexpected invitation, by private courier. It was unusually warm for early January, and I’d left the house in only a wool shirt. A driver picked me up at my home at 3:00 pm. He stoically checked my driver’s license and matched it to a picture he’d been given, and then silently opened the rearmost door of the black limousine and motioned me inside. The letter the hostess had sent was hand written on a fine natural paper. It requested that I leave all electronic devices, including my phone, and that I bring only a pen and paper for taking notes. It asked that I give the letter itself to the driver, who arrived precisely when the letter said he would, and that I politely not photograph or transcribe the exact text therein. I complied with all requests. We drove in silence save for classical music at a very low volume – I think it might have been Debussy. I was given a blindfold and a flute of champagne, both of which I used as implied.

***

The black meat had been described by a certain surly, sarcastic TV chef as “like chewing through decomposing wood… wood that tasted like an odorous French cheese with a vinegar edge… notes of molasses and bourbon. Not pleasant necessarily, but not entirely bad. Dare I say… fascinating?”

The production of the meat was steeped in as much mystery as its ingredients. Saffron robed monks with ash caked skin hid away in log-built smoke-houses and hummed surreal melodies over their fires. They’d emerge, faces striped with gray ash cut by rivers of sweat, humble and bowing, and trade out with their replacements in a nearly silent and well-rehearsed ceremony before retiring to nearby tent or yurt barracks. They’d have crates and packages shipped in whose contents were protected by special laws – the same special laws that protected the production and consumption of the black meat. “Government sanctioned cannibalism,” had been thrown around in the early days, to no avail. No one really knows where it started, or with who – someone in the 1% had discovered it during travel abroad; no doubt, exposing it to the elite of the elite. The quiet, old money was first, and the young new money followed in never ending emulation of extravagance.

It became fashionable contraband, like cocaine and Cuban cigars. Rock stars made references to the infinite complexities of the flavor in the lyrics of “fictional” ballads and tabloids were plastered with stories in which certain leading men of Hollywood were rumored to have tasted the black meat. Moral debates raged across the aisle as new bills were proposed to ban consumption, and calls were made for the UN to publically denounce it. Amid the fervor, a bill was quietly presented with bipartisan support – aged senators with red and blue ties and American flag lapel pens spoke of “religious ceremonial freedom” and “traditional memorial practices”. The bill mentioned nothing of the black meat, nor its consumption, but ensured that one’s remains could be dealt with as one saw fit, in keeping with one’s religious traditions and practices, despite any pre-existing laws, so long as the wishes of the deceased were clearly laid out in the proper legal documents and no unwilling parties were involved or directly affected. The bill passed with a comfortable margin, and a subsequent Supreme Court case found that consumption of the black meat could be protected under the new law, given that close controls be put in place to ensure valid legal documentation of a party’s wishes to be processed prior to their passing, validation by a licensed coroner that the party’s passing was natural or accidental, as any hint of foul play or unusual circumstances would be in violation of the “non-incitamentum” (no incentive) clause. A further appeal from the moral minority ended in a compromise – an amendment to the law which required that any portion of the black meat sold be procured from a single party, and that the party’s (previous) identity be clearly labeled on any packaging.

It wasn’t long before various churches of the black meat sprang up on the internet. Sign up from the comfort of your own home, attend an occasional web-service on YouTube, and print out your own certificate of membership. The churches’ dogmas were tongue-in-cheek lists of variations on a theme – a theme of mostly libertarian, sometimes borderline hedonist, personal freedom and privacy. “Thou shalt drink whatever thou wishes to drink, in whatever amount thou wishes to drink it, so long as thou does not drive inebriated or in any way harm another person outside of thyself.” Membership in many of these churches also required proof that the applicant had also drafted what became known as the “black meat clause” into their legal will. Many lawyers provided this service at a discount until the option showed up on the automated will-builder of a popular legal document website.

Unsurprisingly, this clause evolved into a very specific form in which a party could not only dictate their wishes to be processed into the black meat, but also dictate a specific party or parties that could then receive the product – assuming either party could afford the exorbitant cost of processing. Crazed fans left themselves to rock stars. Lovers left themselves to one another in a final and ultimate act of intimacy. Controversy arose when a frightening number of terminally ill patients began leaving themselves to wealthy patrons “as a thank you” for said patrons charitably relieving their families of their medical expenses. These charitable acts soon included college scholarships and luxury items as the poor had begun bidding for the opportunity to ceremonially thank the rich, and the rich, as it were, had begun to literally eat the poor.

The ash-masked, saffron clad monks (if they were even really monks at all), faced competition from a commercially mass-produced product out of China. It was generally agreed upon by the culinary elite that this was a vastly inferior product, often leaving less wealthy consumers with strange parasites, and in a few documented cases, a fatal variant of Creutzfeldt–Jakob disease.

Many dubious internet articles claimed to know the secret traditional recipe of the black meat, and though each varied slightly, most seemed to rely on the same general protocols. The body was skinned, and the skin cleaned and put aside to dry. The meat was separated and packed in rare spices and various dried berries while the rest of the body was cremated and pulverized. This pulverized ash was mixed with salt and packed into earthen jars. The meat was buried in this salt and ash mixture, and the jars were capped and set aside to allow the meat to cure. After some time, the meat (including the ash, spices, and berries) was removed and coarsely stone-ground into a dry, charcoal-gray hamburger. Other spices and oils were added, and the meat was packed tightly into the now plasticine skin, tied with natural fiber twine, and left to smoke above the other crematory fires.

***

We arrived about an hour later. I stepped out onto wet, well-manicured grass, though as dead as my own humble lawn. We walked through what appeared to be an outdoor shooting range. I kicked aside the occasional broken bits of orange clay and a single yellow shotgun shell. The driver checked over his shoulder to make sure I was still following. An icy breeze swept across the large yard from somewhere over the surrounding pine forest and made me regret not wearing a jacket. He led me toward a high wooden fence, or wall, more accurately – built not with planks but 8-foot wooden posts driven into the ground side by side, like the defensive walls of an early colonial settlement. Smoke billowed from the other side of the wall. A large wooden gate was opened, and my hostess, whose exact description she requested be kept undisclosed, was, suffice it to say, a beautiful and well-known old-money socialite. We exchanged formal greetings and she motioned me inside. She was dressed pragmatically, with rain boots and a large golf umbrella – a duplicate of which she offered to me. With our matching umbrellas, we crossed the large inner courtyard, leaving the driver at the gate, standing in his suit and tie, stone-faced against the rain and cold.

My hostess reiterated the conditions she’d laid out in her letter, all of which I, again, agreed to, assuring her that I had complied, to the letter, with each. She led me toward a log-built smoke-house. She explained that she’d tired of navigating the legal channels that bottle-necked the product in the face of high demand, and that her own standards of freshness and quality were far above what had become the standard. She admitted that this, her private operation, was both very illegal and very expensive, but that she complied with all moral and ethical criteria laid out by law. “I have an application process,” she explained, “and interested parties must meet certain physical and genetic guidelines. I also demand a level of freshness that simply isn’t possible under the federal protocols. For this,” she smiled, “they are compensated far beyond the norm.”

From the smoke-house emerged an ashen-faced monk clad in saffron robes grayed with ash – exactly as I’d imagined. He bowed, and we returned his bow. He presented to my hostess a parcel wrapped in oily brown paper and tied with string. My hostess guided me to a nearby table set up under a crudely built gazebo. The driver had prepared two more flutes of champagne, and offered me a cigar. “For after,” he said quietly. I politely declined. The hostess placed the parcel between us and unwrapped what appeared to be a human hand, twisted into a Buddhist mudra. The hand seemed to be translucent and over-stuffed, like a partially inflated latex glove. Before I’d come to terms with the situation, my hostess had casually cut into the meaty, outside edge of the hand, opposite the thumb, and carved out a small wedge of densely packed, black meat, flecked with exotically colored spices and small, dried berries. I took the oily wedge in my hand and turned it, noticing tiny hair-like spices protruding from the coarse mixture. I smelled it – indeed, an odorous French cheese. Then, after a quick sip of particularly good champagne, I took a bite, chewing slowly and allowing the oils and flavors to flood my mouth and my mind.

An odorous French cheese with a vinegar edge. Perhaps notes of molasses and bourbon. Spices I could not identify. Beyond this, an infinite and overwhelming complexity of incomparable flavors I can only describe as…sentimental. Bittersweet. The familiar voice of a long lost lover somewhere in a crowd. A quiet, comfortable shame. An ecstasy of solitude on the tongue, and after, the familiar sorrow of loneliness at the back of the mouth. I felt the lump in my throat even before I’d swallowed. A knot that rose… and I began to softly weep. When the bit was gone, and I again opened my eyes, the grays and browns around me had become somehow more vibrant. The gemlike eyes of my hostess, also wet with tears, were now the eyes of a friend… the eyes of someone who knew, and who knew that I now knew, that we were on the same page.

I don’t remember the drive home, nor the rest of the evening I spent in darkness, sucking on my tongue and swallowing my own saliva. It’s been two days now, and I remember only the impossible flavors of the black meat, and the feelings I can’t adequately describe. I no longer know what’s right or what’s wrong… I don’t even know if it matters. I only know that I’ve seen beyond the veil. I know the orgasmic bliss of surrender to the black meat, and I know I’ll continue to seek the experience. Until then, I know I will taste it on my tongue until the day I die, and I know, now, what I would like done with my body.

THE STATE OF HORROR SERIES

Edited by Jerry E. Benns
From Charon Coin Press

Eric Dean is featured in State of Horror: Illinois.

State of Horror: Illinois State of Horror: New Jersey State of Horror: North Carolina
State of Horror: Illinois State of Horror: New Jersey State of Horror North Carolina
Amazon
Barnes & Noble
Kobo
CCP Store
Amazon
Barnes & Noble
Kobo
CCP Store
Amazon
Barnes & Noble
Kobo
CCP Store